哇!!! 阿多諾

Intentional language wants to mediate the absolute, and the absolute escapes language for every specific intention, leaves each one behind because each is limited. Music finds the absolute immediately, but at the moment of discovery it becomes obscured, just as too powerful a light dazzles the eyes, preventing them from seeing things which are perfectly visible.


T. W. Adorno
Music and Language: A Fragment
(1956)
Quasi una Fantasia, Essays on Modern Music, Theodor W. Adorno(Translated by Rodney Livingstone), VERSO, London, New York