哇!!! 阿多諾

Intentional language wants to mediate the absolute, and the absolute escapes language for every specific intention, leaves each one behind because each is limited. Music finds the absolute immediately, but at the moment of discovery it becomes obscured, just as too powerful a light dazzles the eyes, preventing them from seeing things which are perfectly visible.


T. W. Adorno
Music and Language: A Fragment
(1956)
Quasi una Fantasia, Essays on Modern Music, Theodor W. Adorno(Translated by Rodney Livingstone), VERSO, London, New York

再殺

"當代電影分析"(2004)

雅克˙奧蒙
米歇爾˙瑪利著
吳佩慈譯

是本令人興奮的
對電影分析理論及理論史的概要性介紹

如果"世界即電影"
分析電影便是解析世界的一種方式

但是我還是覺得好的分析方法要有堅強的哲學觀點作後盾

理論夠堅強
觀點夠廣泛
才殺得愉快